| Issue | Title | |
| Vol 13, No 1 (2024): Bodies in the mirror. Reflections on reflections | The Chimera Manifesto. “The animalization of the female body”. An essay about aesthetic medicine | Abstract |
| Isabel Pires | ||
| Vol 10, No 2 (2021): Ethnography and Photography Today: New Perspectives, Technologies and Narratives | The City at the End of Things | Abstract PDF |
| Damián Arteca | ||
| Vol 11, No 2 (2022) | The contemplative style in the ethnographic documentary between observation and immersion | Abstract |
| Francesco Marano | ||
| Vol 6, No 1 (2017): Visual Ethnography. Tools, Archives and Research Methods | The Day My Photographs Danced: Materializing Photographs of My Anishinabe Ancestors | Abstract |
| Celeste Pedri-Spade | ||
| Vol 7, No 2 (2018) | The DSLR Revolution and its Impact on Documentary and Ethnographic Filmmaking | Abstract |
| Petr Nuska | ||
| Vol 12, No 2 (2023) | The ethnographic film as a way of thinking: responsibilities of the encounter with the other | Abstract |
| Ana Clara Roberti, Helena Santos, Daniel Brandão | ||
| Vol 9, No 2 (2020): Dwelling. An Ethnographic Approach | The Ferrara school of cinema | Abstract PDF |
| Giuseppe Scandurra | ||
| Vol 11, No 2 (2022) | The Fire-Festivals of Cinema: how Frazer invented ‘folk horror’ | Abstract |
| Michele Catapano | ||
| Vol 10, No 2 (2021): Ethnography and Photography Today: New Perspectives, Technologies and Narratives | The Golden Bough | Abstract PDF |
| Gianluca Ceccarini | ||
| Vol 14, No 1 (2025): Moving images across borders: visual and digital resonances of human (im)mobilities | The guardian of forest and forest-dwelling communities in Sundarban: An ethno-photographic account of the Bon Bibi worship and livelihood struggle | Abstract PDF |
| Amir Sohel, Farhat Naz | ||
| Vol 13, No 2 (2024): Art and Anthropology: Work and Life | The incommensurability of making | Abstract |
| Michele Feder-Nadoff | ||
| Vol 11, No 1 (2022) | The Jeopardized ‘Hanji’ of Kashmir Valley: A Visual Ethnographic Note | Abstract |
| Hashmat Habib, Siwani Mech | ||
| Vol 10, No 1 (2021) | The Kamot Ganga Puja: Sharks of Sundarban | Abstract PDF |
| Raj Sekhar Aich | ||
| Vol 13, No 2 (2024): Art and Anthropology: Work and Life | The Last Frontiers: Adventure and Belonging in the Anthropocene | Abstract |
| Tomas Salem | ||
| Vol 12, No 1 (2023) | The making of an ethnographic documentary on working class struggle | Abstract |
| Matteo Saltalippi | ||
| Vol 3, No 2 (2014) | The Mlabri: Spirits of the Yellow Leaves | Abstract HTML |
| Geza J. Holzinger, Shu Nimonjiya | ||
| Vol 13, No 1 (2024): Bodies in the mirror. Reflections on reflections | The Neglected Reflections of Vulvar Pain. An anthropological research-action through Art and Science | Abstract |
| Federica Manfredi | ||
| Vol 11, No 2 (2022) | The performative potential of ethnographic photography: a weapon against social injustices? | Abstract |
| Raùl Zecca Castel | ||
| Vol 12, No 2 (2023) | The photographic social experience of rohingya youngsters of Cox’s Bazar: an interview with Ro Yassin Abdumonab | Abstract |
| Marcelo Schellini | ||
| Vol 12, No 2 (2023) | The Social life of IDs in Côte d’Ivoire: A visual political ethnography | Abstract |
| Richard Banégas, Armando Cutolo | ||
| Vol 2, No 2 (2013) | The Teaching of Visual Anthropology at the Temple University - 1967 to 2004 | Abstract PDF |
| Jay Ruby | ||
| Vol 7, No 1 (2018): Art-Based Ethnography. Experimental Practices of Fieldwork | The Three Cities of Beijing | Abstract |
| Francesco Marano | ||
| Vol 11, No 1 (2022) | The use of images in the construction of a research path | Abstract |
| Elisabetta Antonucci | ||
| Vol 12, No 1 (2023) | The use of visual and digital methods in an ethnographic research on depopulation | Abstract |
| Marina Berardi | ||
| Vol 11, No 2 (2022) | The vernacular house in rural slovakia and its exterior architectural elements in tangible and intangible perspective: from the dwelling to the heritage | Abstract |
| Dorina Dragnea | ||
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